Announcements

We exChange: An Assemblage of Possibilities Group Exhibition Scarab Club (Main Gallery) August 31-October 1, 2022 Reception : Friday, September 2, 5-8 pm

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DUAL VISION
Group Exhibition
February 5 – August 8, 2021
Museum of Contemporary Art Detroit (MOCAD)

Dual Vision is an expansive, forty-person group exhibition featuring artists living in or otherwise engaged with Detroit. Framed as a series of visual conversations that explore various methodologies for collaboration between practitioners, Dual Vision includes twenty individual projects produced by forty artists working in pairs—each work representing dual creativity as one. This exhibition underscores the nature in which contemporary artists communicate visually as a means of crafting a collective message. Dual Vision exhibits a robust intersection of disciplines and practices—from painting and sculpture to sound, fiber, and lens-based media—with contributions by artists at varying stages of their careers.


ROBERT SESTOK + KURT NOVAK
JAMES CHATELAIN + STEVE FOUST
AMELIA CURRIER + JOHN EGNER
KATHRYN BRACKETT LUCHS + MICHAEL LUCHS
JOYCE BRIENZA + DEBORAH SUKENIC
SIMONE DESOUSA + TIM VAN LAAR
JULIA CALLIS + JOSH KOCHIS
NANCY MITCHNICK + JOHN CORBIN
CARLO VITALE + ED FRAGA
NICOLE MACDONALD + CARL WILSON
BETTY BROWNLEE + CRISTIN RICHARD
GISELA MCDANIEL + MARTHA MYSKO
TONY RAVE + TYLONN SAWYER
NOURA BALLOUT + CYRAH DARDAS
RASHAUN RUCKER + MARIO MOORE
BREE GANT + CHERISE MORRIS
TYANNA BUIE + CHELSEA A. FLOWERS
SABRINA NELSON + LEVON KAFAFIAN
STERLING TOLES + NATE MULLEN
ADAM LEE MILLER + NICOLA KUPERUS


Dual Vision is organized by the Museum of Contemporary Art Detroit and curated by Susanne Feld Hilberry Senior Curator Jova Lynne, with curatorial support from MOCAD Curatorial Fellow Maceo Keeling, and advised by participating artists Kathryn Brackett Luchs, Ed Fraga, and Robert Sestok.

Visit Exhibition Page on MOCAD’s Website

The Salad Days
Group Exhibition
January 22 – February 20, 2021
Detroit Artists Market (DAM)

2000 through 2012 brought a renaissance of self-made artist run spaces in Detroit. Rent was low, space was unlimited, and artists cooperated to bring engaging shows. Coming off a prosperous decade and a world being reshaped by the internet, this was a new beginning… an awakening… an inclusive paradigm shift. Salad Days explores the subculture and work of artists who were working in Detroit in the aughts (2000s), and also features current work reflecting that time period.

“Salad days” is a Shakespearean idiomatic expression meaning a youthful time.

Participating Artists:
Michael Nagara, Mukhliseenah Hajj, Scott Hocking, Andrea Eckert, Asia Hamilton, CeCe McGuire, Bryant Tillman, DVS, Dekilah, Simone Desousa, Scott Northrup, Chido Johnson, George Rahme, Jeff Nolan, Martin Anand, Gilda Snowden, Cedric Tai, Sioux Trujillo, Taurus Burns, Erik Howard, Katie Hawley, Chris McGraw, Cal Navin, Undine Brod, Kevin McCoy, Steve Kuypers, Kate Silvio, Vincent Troia, Shoshanna Utchenik.

Curated by Holliday Taylor Martindale

Visit the Exhibition Page on DAM’s Website

Thank You, Mies
Group Exhibition
June 14 – July 20, 2019 at the Detroit Artists Market (DAM)

Detroit’s art scene is rife with overheated expressionism, gritty assemblages, and interrelational social practice. As a counter to this aesthetic, curator Dennis Nawrocki spotlights a style of abstract art that has long focused on clarity and order instead of overt emotions. On view are sculptures and paintings by 20 Detroit-area artists who picked up the baton of formalism and forged images perhaps best defined by Ludwig Mies van der Rohe’s mantra, “Less is more.”

Participating Artists: Scott Berels, Brian Caponi, Vincent Castagnacci, James Collins, Larry Cressman, Simone DeSousa, Cynthia Greig, Janet Hamrick, Lester Johnson, Laith Karmo, Ian McDonald, Brian Kritzman, Paul Kotula, David Edward Parker, John Rizzo, David Rubello, Kate Silvio, Todd Stovall, Lois Teicher, Joe Zajac

Curated by Dennis A. Nawrocki

Round in Circles
Group Exhibition
June 16 – August 26, 2017 at the N’Namdi Center for Contemporary Art

Round in Circles is a group exhibition that explores formal and metaphorical implications of the circular. Probing the banal to the absurd to the disheartened, each work included in the exhibition employs some form or manifestation of a circle, loop, spiral, cycle, spin, circuit or hole. The exhibition reflects on a broader, collective feeling of the times, that of moving without getting anywhere, ending at the beginning, of literally going round and round in circles.

Artists: ‘jide Aje, Danielle Aubert, Corrie Baldauf, Davin Brainard, Tyanna J. Buie, Alexander Buzzalini, Shane Darwent, Clara DeGalan, Simone DeSousa, Erin Imena Falker, Jessica Frelinghuysen, Ani Garabedian, Richard Haley, Asia Hamilton, Megan Heeres, Eli Kabir, Osman Khan, Austin Kinstler, Nicola Kuperus, Timothy van Laar, Anthony Marcellini, Adam Lee Miller, Shanna Merola, Eleanor Oakes, Ato Ribeiro, Robert Platt, Marianetta Porter, Dylan Spaysky, Todd Stovall, Gregory Tom, Graem Whyte, Elizabeth Youngblood, Alivia Zivich

Curated by Jennifer Junkermeier

Simone DeSousa
Calculating with absence

April 23 – June 10, 2016

The Holding House is pleased to present “Calculating with Absence,” Simone DeSousa’s solo exhibition featuring new paintings on multiform panels.

DeSousa’s abstract paintings emerge from the artist’s ongoing interest in the investigations of the nature of reality, combining disparate references such as ancient yoga and modern science’s study of the phenomenon of consciousness.

In deliberate visual juxtapositions that oscillate between minimal gestures and intricate compositions, the works point to the inseparability of the seemingly opposite alternating stages of emptiness and manifestation. The bases of the works, integral to the compositions themselves, defy the limitations of the edge and expose the base material itself, suggesting relationships both inward and outward-moving.

Examining the interplays amongst shapes, colors, lines, and textures, superposed and intersecting, one moment at a time, DeSousa’s paintings suggests different spatial environments that are both directly human and transcendent.

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